Publisher & Media Owner · vs · Publisher & Media Owner
DMAX vs Eurosport
Structured technology and market comparison · 2026
Direct Feature Comparison
DMAX · vs · EurosportGerman free-to-air factual TV channel with digital ad inventory.
Pan-European sports broadcaster and digital publisher.
Analyze all overlapping signals and tech stacks for DMAX and Eurosport
Compare mutual enterprise clients, monetization models, live market signals, and partner networks directly in the interactive Knowledge Graph.
Comparison Analysis
What is the main difference between DMAX and Eurosport?
When comparing DMAX and Eurosport, both platforms operate within the Broadcast Platform, Connected TV (CTV) & OTT, and Publisher & Media Owner ecosystem. DMAX is positioned as German free-to-air factual TV channel with digital ad inventory, whereas Eurosport focuses on Pan-European sports broadcaster and digital publisher. Decision-makers evaluate both solutions when orchestrating their commercial monetization and technology stack.
What are the top alternatives to DMAX and Eurosport?
When evaluating DMAX and Eurosport, enterprise buyers also consider other platforms in Broadcast Platform, Connected TV (CTV) & OTT, and Publisher & Media Owner. You can discover the full competitive landscape and evaluate other alternatives by viewing their respective footprint profiles on Polaris7.
Market Signals
Recent Market Signals & Activity: DMAX vs Eurosport
Documented market movements, strategic partnerships, product releases, and regulatory developments mapped across Polaris7.
DMAX
Recent Signals
- ·DWDLTV (linear)
DMAX's 'Kings of Cash' Season 3 Goes to USA
DMAX announced the third season of its docu-soap Kings of Cash – Die Pfandleiher. The new season comprises 20 episodes (five more than the first two seasons) and returns to weekday early-evening programming, airing Monday–Friday at 19:15 beginning 7 September. Production is again handled by BluePrint Media. Filming will revisit German locations (Karlsruhe, Bochum, Nürnberg, Berlin, Siegburg) and, for the first time, also include behind-the-scenes coverage at the US pawnshop Paramount Pawn in Florida, where Karlsruhe pawnbrokers Florian and Jabez participate in day-to-day operations.
- DMAX announced the third season of the docu-soap 'Kings of Cash - Die Pfandleiher'.
- The new season comprises 20 episodes, five more than the first two seasons.
- The series returns on 7 September and will air Monday–Friday at 19:15.
- ·DWDLTV (linear)
Giesel stays strong; 'Achtung Kontrolle' hits yearly high
Kabel Eins posted strong linear-TV ratings on 30 July 2026: Peter Giesel’s report format 'Achtung Abzocke' delivered 8.5% share among 14–49-year-olds (210,000 viewers in that demo) and a later repeat reached 8.8% (460,000 total viewers). The pre-evening magazine 'Achtung Kontrolle' set a new annual best with 8.4% in the 14–49 demo (470,000 overall). Afternoon US crime series on Kabel Eins underperformed, while ProSieben Maxx’s 'Storage Wars' achieved 4.1–5.1% in the demo. DMAX had a strong day driven by 'Fang des Lebens' (peaking at 7.2%), 'Steel Buddies' (up to 5.1%), and two primetime episodes of '112: Feuerwehr im Einsatz' (3.2% and 4.5%), with a late-night repeat reaching 13.8%; DMAX’s daily market share was 3.7%, narrowly ahead of RTLzwei. Data source: AGF SCOPE / AGF Videoforschung (preliminary weighted TV data).
- 'Achtung Abzocke' on Kabel Eins scored 8.5% among 14–49-year-olds (average 210,000 in demo); the earlier new episode reached 600,000 viewers overall.
- A repeat of 'Achtung Abzocke' at 22:20 achieved 8.8% in the 14–49 demo with 460,000 viewers.
- 'Achtung Kontrolle' on Kabel Eins recorded a new yearly-best 8.4% in the 14–49 demo, averaging 470,000 viewers.
- ·DWDLTV (linear)
DMAX's '110 Hannover' Sets Season-Finale Ratings Record
At the season finale of '110 Hannover – Im Visier der Polizei', DMAX recorded a new season-best rating among 14–49 year-olds: a 5.0% market share at 20:15, surpassing the previous week's best by 1.2 percentage points. The episode reached 0.31 million viewers (equal to the prior week). Other DMAX emergency-format shows also performed well in the evening, while Nitro screened the 'Police Academy' films and achieved strong shares and reach (including 460,000 viewers for the first film). The article cites AGF SCOPE / AGF Videoforschung as the data source and reports broader daily and top-program ratings for German broadcasters for TV viewing on 21 July 2026.
- DMAX's '110 Hannover' achieved a 5.0% market share among 14–49 year-olds at 20:15 on the season finale, beating the prior week's season-best by 1.2 percentage points.
- The '110 Hannover' episode had 0.31 million viewers, the same reach as the previous week.
- DMAX's 'Die Grenzschützer' and 'Bundespolizei 24/7 - Auftrag Sicherheit' each reached 0.29 million viewers, with 14–49 market shares of 4.8% and 6.0% respectively.
Eurosport
Recent Signals
- ·DWDLTV (linear)
Alpe d’Huez Arrival Boosts Tour de France TV Ratings
The Tour de France stage finishing in Alpe d’Huez produced significant TV audience increases in Germany: Das Erste drew 1.42 million viewers (16.7% market share) and strong youth ratings, while Eurosport reached 470,000 viewers with a 9.2% share among 14–49-year-olds. Other evening programs on ZDF and Das Erste posted varied results, with ZDF’s "Der Alte" reaching 3.71 million (22.0%). Audience measurement data cited in the article come from AGF SCOPE 1.15 (AGF Videoforschung). The piece reports detailed ratings and market-share figures for 24 July 2026, highlighting the value of live sports for linear broadcasters and advertisers.
- Das Erste attracted 1.42 million viewers for the Alpe d’Huez stage, achieving a 16.7% market share (all viewers).
- Among 14–49-year-olds, Das Erste measured a 19.3% market share for the broadcast of the stage.
- Eurosport’s transmission of the stage reached 470,000 viewers and 9.2% market share in the 14–49 age group; Eurosport recorded a Friday day market share of 1.7%.
- ·DWDLTV (linear)
Tour de France Tops 20% TV Market Share
ARD and Eurosport together achieved more than a 20% market share among younger viewers on Friday during the 13th stage of the Tour de France. The live broadcast on Das Erste averaged 1.06 million viewers across almost four hours, delivering a 13.0% share in the total audience and 16.5% among 14–49 year‑olds. Eurosport 1’s parallel live feed contributed an additional 4.1% share with an average of about 200,000 viewers, bringing the combined young‑audience share above 20%. After the race, Das Erste’s quiz show “Gefragt – gejagt” rose to 1.93 million viewers (17.4% total share) and also performed strongly with younger viewers. ZDF’s afternoon programming performed well independently, with “Bares für Rares” and a “Rosenheim-Cops” repeat posting high reach and double‑digit market shares. All audience figures are credited to AGF SCOPE / AGF Videoforschung (preliminary weighted data).
- ARD and Eurosport combined for more than 20% market share among younger viewers during the Tour de France 13th stage.
- Das Erste’s broadcast of the 13th stage averaged 1.06 million viewers and a 13.0% share of the total audience.
- Among 14–49 year‑olds Das Erste achieved a 16.5% share; Eurosport 1 added 4.1%, with Eurosport averaging about 200,000 viewers.
Compare their exact ecosystem overlaps.
Explore all deep relationships in Polaris7. Discover exactly which mutual clients, integrated technologies, and overlapping partners DMAX and Eurosport share across the market ecosystem.