Media Sales House · vs · Publisher & Media Owner
d-force vs DMAX
Structured technology and market comparison · 2026
Direct Feature Comparison
d-force · vs · DMAXBroadcaster-backed DSP for omnichannel and addressable TV buying.
German free-to-air factual TV channel with digital ad inventory.
Analyze all overlapping signals and tech stacks for d-force and DMAX
Compare mutual enterprise clients, monetization models, live market signals, and partner networks directly in the interactive Knowledge Graph.
Comparison Analysis
What is the main difference between d-force and DMAX?
When comparing d-force and DMAX, both platforms operate within the Connected TV (CTV) & OTT, TV (linear), and Display, Web & Mobile ecosystem. d-force is positioned as Broadcaster-backed DSP for omnichannel and addressable TV buying, whereas DMAX focuses on German free-to-air factual TV channel with digital ad inventory. Decision-makers evaluate both solutions when orchestrating their commercial monetization and technology stack.
What are the top alternatives to d-force and DMAX?
When evaluating d-force and DMAX, enterprise buyers also consider other platforms in Connected TV (CTV) & OTT, TV (linear), and Display, Web & Mobile. You can discover the full competitive landscape and evaluate other alternatives by viewing their respective footprint profiles on Polaris7.
Market Signals
Recent Market Signals & Activity: d-force vs DMAX
Documented market movements, strategic partnerships, product releases, and regulatory developments mapped across Polaris7.
d-force
Recent Signals
- ·Virtual Minds News MonitorCTV
Virtual Minds: Building Interoperable Operating Model for Total Video
Virtual Minds argues that true convergence between linear TV and CTV advertising requires an interoperability layer rather than replacing existing systems, preserving the strengths of each environment. Managing Director Ricarda Jebsen and Business Development Manager Max Deyerl highlight that while audiences already consume video seamlessly, planning and measurement remain siloed. The company cites progress in Austria, where broadcasters under JIC AGTT have adopted digital buying logic, CPMs, and real-time HbbTV signals (Teletest 2.0) to optimize linear TV via Virtual Minds' Media Manager. The approach aims to extend this model to all video channels, including mobile and DOOH, and emphasizes that AI will only improve workflows if data silos are integrated first. Virtual Minds advocates for industry-wide collaboration to establish common standards and avoid fragmentation, positioning its infrastructure as the solution for a converged 'Total Video' operating model.
- Virtual Minds proposes an interoperable convergence layer for linear TV and CTV integration, preserving strengths of each environment.
- Since 2024, AGTT/Teletest members in Austria use Virtual Minds Media Manager for dynamic linear TV optimization using CPMs and real-time HbbTV signals.
- Ricarda Jebsen is Managing Director of Virtual Minds and d-force, while Max Deyerl is Manager Business Development.
DMAX
Recent Signals
- ·DWDLTV (linear)
DMAX's 'Kings of Cash' Season 3 Goes to USA
DMAX announced the third season of its docu-soap Kings of Cash – Die Pfandleiher. The new season comprises 20 episodes (five more than the first two seasons) and returns to weekday early-evening programming, airing Monday–Friday at 19:15 beginning 7 September. Production is again handled by BluePrint Media. Filming will revisit German locations (Karlsruhe, Bochum, Nürnberg, Berlin, Siegburg) and, for the first time, also include behind-the-scenes coverage at the US pawnshop Paramount Pawn in Florida, where Karlsruhe pawnbrokers Florian and Jabez participate in day-to-day operations.
- DMAX announced the third season of the docu-soap 'Kings of Cash - Die Pfandleiher'.
- The new season comprises 20 episodes, five more than the first two seasons.
- The series returns on 7 September and will air Monday–Friday at 19:15.
- ·DWDLTV (linear)
Giesel stays strong; 'Achtung Kontrolle' hits yearly high
Kabel Eins posted strong linear-TV ratings on 30 July 2026: Peter Giesel’s report format 'Achtung Abzocke' delivered 8.5% share among 14–49-year-olds (210,000 viewers in that demo) and a later repeat reached 8.8% (460,000 total viewers). The pre-evening magazine 'Achtung Kontrolle' set a new annual best with 8.4% in the 14–49 demo (470,000 overall). Afternoon US crime series on Kabel Eins underperformed, while ProSieben Maxx’s 'Storage Wars' achieved 4.1–5.1% in the demo. DMAX had a strong day driven by 'Fang des Lebens' (peaking at 7.2%), 'Steel Buddies' (up to 5.1%), and two primetime episodes of '112: Feuerwehr im Einsatz' (3.2% and 4.5%), with a late-night repeat reaching 13.8%; DMAX’s daily market share was 3.7%, narrowly ahead of RTLzwei. Data source: AGF SCOPE / AGF Videoforschung (preliminary weighted TV data).
- 'Achtung Abzocke' on Kabel Eins scored 8.5% among 14–49-year-olds (average 210,000 in demo); the earlier new episode reached 600,000 viewers overall.
- A repeat of 'Achtung Abzocke' at 22:20 achieved 8.8% in the 14–49 demo with 460,000 viewers.
- 'Achtung Kontrolle' on Kabel Eins recorded a new yearly-best 8.4% in the 14–49 demo, averaging 470,000 viewers.
- ·DWDLTV (linear)
DMAX's '110 Hannover' Sets Season-Finale Ratings Record
At the season finale of '110 Hannover – Im Visier der Polizei', DMAX recorded a new season-best rating among 14–49 year-olds: a 5.0% market share at 20:15, surpassing the previous week's best by 1.2 percentage points. The episode reached 0.31 million viewers (equal to the prior week). Other DMAX emergency-format shows also performed well in the evening, while Nitro screened the 'Police Academy' films and achieved strong shares and reach (including 460,000 viewers for the first film). The article cites AGF SCOPE / AGF Videoforschung as the data source and reports broader daily and top-program ratings for German broadcasters for TV viewing on 21 July 2026.
- DMAX's '110 Hannover' achieved a 5.0% market share among 14–49 year-olds at 20:15 on the season finale, beating the prior week's season-best by 1.2 percentage points.
- The '110 Hannover' episode had 0.31 million viewers, the same reach as the previous week.
- DMAX's 'Die Grenzschützer' and 'Bundespolizei 24/7 - Auftrag Sicherheit' each reached 0.29 million viewers, with 14–49 market shares of 4.8% and 6.0% respectively.
Compare their exact ecosystem overlaps.
Explore all deep relationships in Polaris7. Discover exactly which mutual clients, integrated technologies, and overlapping partners d-force and DMAX share across the market ecosystem.