Observed Signal · Oct 29, 2026 · Opinion / Guest Editorial · Source: DWDL · Impact: 2/5 · Sentiment: Neutral
Stefan Oelze: Seize Opportunities through Internationalization and AI
In a guest contribution for DWDL's 25th anniversary series, Stefan Oelze, CEO of Rosebank Entertainment AG, urges the German film and TV production industry to confront the biggest technological and economic upheaval in its history. He identifies key opportunities in internationalization, AI adoption, and the creation of investment incentives, such as a tax credit model similar to other European countries. Oelze highlights the UK's 31% growth in feature film production to $3.8 billion in 2025, attributing it to foreign investment and favorable conditions. He calls for defending public broadcasting values while adapting to AI-driven changes in the workforce and business models. He emphasizes the need for partnerships and bold action to shape the industry's future.
Insightful opinion piece from a key industry executive about challenges and opportunities in German TV production, relevant for media monetization and AI adoption, but not a breaking news event.
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Key Takeaways & Evidence Grounding
- Stefan Oelze is CEO of Rosebank Entertainment AG.
- Oelze advocates for internationalization and AI adoption in the German production industry.
- UK feature film production grew 31% to $3.8 billion from 2024 to 2025.
- 85% of the UK's moving image production market is foreign investment, mainly from the USA.
- Oelze calls for a tax incentive model similar to other European countries.
Ontology Mapping & Concepts
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LEONINE Studios CEO Fred Kogel Calls for Future Optimism
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Oliver Berben calls for political resolve for German cinema
Oliver Berben, CEO of Constantin Film, penned a guest article for DWDL.de's "25 Wishes" series, highlighting strong cinema performance in H1 2026: 47.5 million tickets sold, €502.2 million revenue, the best since pre-pandemic. German productions sold 12.2 million tickets, up 61% year-over-year, achieving a 26.5% market share, the highest in a decade. He also notes the success of "Resident Evil," which grossed $108.3 million worldwide on its opening weekend. Berben urges political decisiveness, including a statutory investment obligation, to support the German film industry, warning of rising costs and shrinking margins. He advocates for reliable framework conditions to foster creativity and economic stability, aiming for a 30% German market share.
Producer Moszkowicz Wants German Producers to Keep Rights
In an opinion piece for DWDL, Martin Moszkowicz, managing director of Transcontinental Entertainment Studios and a veteran producer, advocates for a systemic shift in the German film and TV industry. He argues that current practices, rooted in the 1950s, leave producers as mere contractors or service providers who lose rights and revenue to broadcasters, streamers, and distributors. Moszkowicz outlines a future where producers retain rights, license content to broadcasters and streamers within defined windows, act as rights holders rather than debt-laden manufacturers, and build direct audience relationships. He highlights the impact of AI and global platforms, which could render producers obsolete if they do not own their content and data. He points to France, the UK, and Scandinavia as examples where producers own their works. The piece concludes with a personal wish: that in 25 years, a German production company will own something.
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