Gracenote vs Reelgood

CTV Show-Level Data Glut Fails to Deliver Optimization Control

While CTV buyers increasingly demand show-level transparency, a new IAB report shows 43% lack confidence in inventory. Despite progress in show-level reporting, true program-level optimization remains elusive. Publishers and exchanges offer data, but limitations persist: incomplete bidstream signals, "unknown" titles, and lack of scaled optimization solutions. Privacy laws like VPPA, combined with household-level data, complicate sharing. Linear TV offers program-level control by design, while CTV faces a gap between reporting and active optimization. Buyers can receive post-campaign reports but can't programmatically target individual shows at scale, except via programmatic guaranteed deals. The industry is working toward compliant, scaled optimization, but meaningful progress is still needed.

• 43% of CTV buyers have little or no confidence in the inventory they buy (IAB).
• Major exchanges do not offer scaled show-level optimization as a standard product.
• One top-five streamer's SSP integration prevents pulling show-level reporting.

Gracenote expands AI product roadmap with sports MCP server, entertainment SLM and agents

The expansion comes as companies adopt general-purpose LLMs to improve viewer experiences, guide content decisions and streamline operations.

Gracenote study: 85% of sports fans want TV home screens to show when and where to watch favorite teams

91% of survey respondents say centralized sports information would make it easier to find the games and events they want.

USPI Adds Popularity Score; Owning Content Wins

State of Streaming updated its Unified Streaming Power Index (USPI) in August by adding a new Popularity Score vector, developed with Reelgood, that ranks streaming services by consumer interest across their full catalogs. The Popularity Score averages how often a service's titles appear in the national Top 100 each day over a month, creating a forward-looking index aimed at projecting where audience attention is headed. The USPI separates services into 'owners' (catalog-first platforms like Netflix, Prime Video, HBO Max) and 'renters' (wrappers/resellers like Philo, Fubo, Roku Premium) to signal stability risks tied to content ownership. The August edition argues that services reselling third-party content can post strong short-term numbers but are vulnerable to carriage changes, while owners show more durable demand signals.

• The Unified Streaming Power Index (USPI) added a new Popularity Score metric for August.
• The Popularity Score was built in partnership with Reelgood and averages daily Top 100 presence per title over a month.
• Philo and Fubo scored highly in August despite not owning the content driving demand.