DWPR

Publisher & Media Owner

DWDL.de vs ProSieben

Structured technology and market comparison · 2026

Direct Feature Comparison

DWDL.de · vs · ProSieben
Market Cluster / Sector
DWDL.dePublisher & Media Owner
ProSiebenPublisher & Media Owner
Platform Focus
DWDL.de

German media trade publisher for TV, streaming and industry jobs.

ProSieben

German broadcast channel brand with digital video distribution.

Company Size
DWDL.de10–49 employees
ProSiebenUnknown
Headquarters
DWDL.deDE
ProSiebenDE
Year Founded
DWDL.de2001
ProSiebenUnknown

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Comparison Analysis

What is the main difference between DWDL.de and ProSieben?

When comparing DWDL.de and ProSieben, both platforms operate within the Podcasts, Publisher & Media Owner, and Display, Web & Mobile ecosystem. DWDL.de is positioned as German media trade publisher for TV, streaming and industry jobs, whereas ProSieben focuses on German broadcast channel brand with digital video distribution. Decision-makers evaluate both solutions when orchestrating their commercial monetization and technology stack.

What are the top alternatives to DWDL.de and ProSieben?

When evaluating DWDL.de and ProSieben, enterprise buyers also consider other platforms in Podcasts, Publisher & Media Owner, and Display, Web & Mobile. You can discover the full competitive landscape and evaluate other alternatives by viewing their respective footprint profiles on Polaris7.

How do the corporate scale, structure, and headquarters of DWDL.de and ProSieben compare?

DWDL.de is headquartered in DE (founded in 2001) with 10–49 employees. ProSieben is based in DE (founding year unrecorded) with Unknown. Complete ownership, subsidiary trees, and corporate affiliations are documented across Polaris7.

Market Signals

Recent Market Signals & Activity: DWDL.de vs ProSieben

Documented market movements, strategic partnerships, product releases, and regulatory developments mapped across Polaris7.

DW

DWDL.de

Recent Signals

  • ·DWDLPlatform

    Real Innovation in TV Entertainment Has Become Rare

    In an interview, German Television Award jury member and DWDL.de editor Alexander Krei discusses trends in non-fictional television entertainment. He notes that rising budget pressures across broadcasting houses have made genuine innovation rare, particularly on major show stages. However, exceptions exist, such as Sat.1's reality format 'Villa der Versuchung' and public broadcasting's 'Die Werwölfe'. Krei also observes a shift in comedy, where establishing new TV formats has become increasingly difficult due to competition from niche platforms like TikTok, prompting a strategic focus on evolving existing established brands like 'TV total' and 'Die Anstalt'.

    • Alexander Krei, a jury member for the German Television Award, notes that budget pressures are stifling television show innovation.
    • Sat.1 introduced 'Villa der Versuchung,' a German-developed reality format focusing on financial elements.
    • Public broadcasters in Germany successfully experimented with reality TV through the format 'Die Werwölfe'.
  • ·DWDLTV (linear)

    Giovanni Zarrella Achieves Highest Market Share Since Early 2024

    ZDF's first open-air edition of The Giovanni Zarrella Show, recorded at the ZDF-Fernsehgarten, attracted about 2.9 million viewers on Saturday evening and achieved a 16.8% overall market share — the highest for the program in roughly two and a half years. The show logged 9.1% among 14–49 year‑olds and 10.5% among 14–59 year‑olds. The late news program heute-journal that followed reached 2.14 million viewers and a 17.1% market share, while Aktuelle Sportstudio drew 1.35 million viewers (16.2% overall, 8.4% in 14–49). Daily market shares for Das Erste and ZDF were each 13.1%. AGF Videoforschung / AGF SCOPE 1.15 is cited as the data source for the ratings.

    • ZDF broadcast the first open-air edition of The Giovanni Zarrella Show, recorded at the ZDF-Fernsehgarten.
    • The Giovanni Zarrella Show drew approximately 2.9 million viewers and a 16.8% overall market share.
    • Demographic ratings: 9.1% market share (age 14–49) and 10.5% (age 14–59) for the show.
  • ·DWDLCTV

    RTL+ won't continue 'Princess Charming' for now

    RTL+ has no current plans to continue the lesbian dating show 'Princess Charming' after five seasons, the streaming service confirmed to DWDL.de. Producer Yvonne Plume announced the decision in a LinkedIn post and said the show's new nomination for the German Television Award felt like a meaningful recognition but also a source of sadness. RTL's spokesperson told DWDL.de that no new season is planned at present, though a future comeback is not ruled out. 'Princess Charming' premiered in 2021, ran five seasons, and its most recent season (summer 2025) ended amid headlines after a relationship developed and an early termination occurred. The production company Seapoint also faces another setback: it will lose the production mandate for 'Let's Dance' from 2028 when BBC Studios takes over.

    • RTL+ currently has no new season planned for the dating show 'Princess Charming'.
    • Producer Yvonne Plume made the decision public in a LinkedIn post and commented on the show's nomination.
    • 'Princess Charming' launched in 2021 and ran five seasons; the latest season aired in summer 2025 and had an early termination.
PR

ProSieben

Recent Signals

  • ·DWDLBroadcast Ratings

    ProSieben's 'Jenke. Report' Attracts Older Audience

    ProSieben's 'Jenke. Report' scored strong ratings on Thursday evening, drawing 930,000 total viewers, including 420,000 in the 14-49 age group, achieving a 12.2% market share in that key demo. The show also attracted an older audience, with a 9.4% market share among 14-59 year-olds. Later episodes of 'Jenke. Crime' saw lower reach but still performed well in the key demo. Meanwhile, Sat.1's 'Promi Big Brother' stayed above one million viewers, while Kabel Eins' 'Rosins Restaurants' struggled with only 390,000 viewers and a 2.8% market share.

    • 'Jenke. Report' achieved 930,000 total viewers and 420,000 in the 14-49 age group.
    • The show reached a 12.2% market share in the 14-49 demographic.
    • ProSieben attracted an older audience with a 9.4% market share among 14-59 year-olds.
  • ·DWDLTV Ratings / Broadcasting

    Masked Singer Ratings Slightly Up Before Finale

    The German TV show 'The Masked Singer' on ProSieben continues to underperform, with ratings slightly increasing one week before the finale. On the evening of October 14, 2026, only 850,000 viewers watched the show, including 190,000 in the 14-49 demographic, resulting in a 7.1% market share. In comparison, 'Galileo' on the same network had 170,000 young viewers. The most successful broadcaster for younger audiences that evening was Sat.1 with 'Promi Big Brother', attracting 390,000 viewers in the 14-49 group (12.3% market share). RTL's 'Mario Barth deckt auf' attracted 290,000 younger viewers (9.3%), while 'Stern TV' achieved 13.2% market share in the target demographic. ProSieben's prime time performance remains weak.

    • 'The Masked Singer' on ProSieben had 850,000 total viewers and 190,000 in the 14-49 demographic on October 14, 2026.
    • The show achieved only a 7.1% market share in the 14-49 target group.
    • Sat.1's 'Promi Big Brother' was the most successful show among younger audiences with 390,000 viewers in the 14-49 group (12.3% market share).
  • ·DWDLTV Ratings

    TV Total Wins Younger Audience; Experte für alles on Rise

    On Tuesday, ProSieben achieved a market-leading 8.5% daily market share among viewers aged 14-49, ahead of Sat.1 and RTL. The show "TV Total" with Sebastian Pufpaff attracted an average of 930,000 viewers, with a 14.4% market share in the 14-49 demographic and 9.6% among 14-59 year olds. The subsequent show "Experte für alles" recovered from its previous all-time low, drawing 380,000 viewers, an increase of 120,000 from the prior week, and achieving a 9.6% market share in the 14-49 group, its best since April of the previous year. Other ProSieben programs like "taff" (10.7%), "Newstime" (11.9%), and "Galileo" (9.2%) also contributed. Kabel Eins's "Terminator: Die Erlösung" achieved a 6.7% market share, and Vox's "Die Welpen kommen" reached 6.2%. RTLzwei's repeat of "Hartz und Herzlich" only managed a 3.8% market share.

    • ProSieben achieved a daily market share of 8.5% among viewers aged 14-49, leading over Sat.1 and RTL.
    • "TV Total" with Sebastian Pufpaff attracted 930,000 viewers and a 14.4% market share in the 14-49 demographic.
    • "Experte für alles" drew 380,000 viewers, up 120,000 from the previous week, and achieved a 9.6% market share in the 14-49 group.

Compare their exact ecosystem overlaps.

Explore all deep relationships in Polaris7. Discover exactly which mutual clients, integrated technologies, and overlapping partners DWDL.de and ProSieben share across the market ecosystem.