Publisher & Media Owner

DMUF

DMAX vs UFA

Structured technology and market comparison · 2026

Direct Feature Comparison

DMAX · vs · UFA
Market Cluster / Sector
DMAXPublisher & Media Owner
UFAPublisher & Media Owner
Platform Focus
DMAX

German free-to-air factual TV channel with digital ad inventory.

UFA

German producer of scripted, entertainment, factual and documentary audiovisual content.

Company Size
DMAXUnknown
UFA50–200 employees
Headquarters
DMAXDE
UFADE
Year Founded
DMAXUnknown
UFA1917

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Comparison Analysis

What is the main difference between DMAX and UFA?

When comparing DMAX and UFA, both platforms operate within the Connected TV (CTV) & OTT, Publisher & Media Owner, and TV (linear) ecosystem. DMAX is positioned as German free-to-air factual TV channel with digital ad inventory, whereas UFA focuses on German producer of scripted, entertainment, factual and documentary audiovisual content. Decision-makers evaluate both solutions when orchestrating their commercial monetization and technology stack.

What are the top alternatives to DMAX and UFA?

When evaluating DMAX and UFA, enterprise buyers also consider other platforms in Connected TV (CTV) & OTT, Publisher & Media Owner, and TV (linear). You can discover the full competitive landscape and evaluate other alternatives by viewing their respective footprint profiles on Polaris7.

How do the corporate scale, structure, and headquarters of DMAX and UFA compare?

DMAX is headquartered in DE (founding year unrecorded) with Unknown. UFA is based in DE (founded in 1917) with 50–200 employees. Complete ownership, subsidiary trees, and corporate affiliations are documented across Polaris7.

Market Signals

Recent Market Signals & Activity: DMAX vs UFA

Documented market movements, strategic partnerships, product releases, and regulatory developments mapped across Polaris7.

DM

DMAX

Recent Signals

  • ·DWDLTV (linear)

    DMAX's 'Kings of Cash' Season 3 Goes to USA

    DMAX announced the third season of its docu-soap Kings of Cash – Die Pfandleiher. The new season comprises 20 episodes (five more than the first two seasons) and returns to weekday early-evening programming, airing Monday–Friday at 19:15 beginning 7 September. Production is again handled by BluePrint Media. Filming will revisit German locations (Karlsruhe, Bochum, Nürnberg, Berlin, Siegburg) and, for the first time, also include behind-the-scenes coverage at the US pawnshop Paramount Pawn in Florida, where Karlsruhe pawnbrokers Florian and Jabez participate in day-to-day operations.

    • DMAX announced the third season of the docu-soap 'Kings of Cash - Die Pfandleiher'.
    • The new season comprises 20 episodes, five more than the first two seasons.
    • The series returns on 7 September and will air Monday–Friday at 19:15.
  • ·DWDLTV (linear)

    Giesel stays strong; 'Achtung Kontrolle' hits yearly high

    Kabel Eins posted strong linear-TV ratings on 30 July 2026: Peter Giesel’s report format 'Achtung Abzocke' delivered 8.5% share among 14–49-year-olds (210,000 viewers in that demo) and a later repeat reached 8.8% (460,000 total viewers). The pre-evening magazine 'Achtung Kontrolle' set a new annual best with 8.4% in the 14–49 demo (470,000 overall). Afternoon US crime series on Kabel Eins underperformed, while ProSieben Maxx’s 'Storage Wars' achieved 4.1–5.1% in the demo. DMAX had a strong day driven by 'Fang des Lebens' (peaking at 7.2%), 'Steel Buddies' (up to 5.1%), and two primetime episodes of '112: Feuerwehr im Einsatz' (3.2% and 4.5%), with a late-night repeat reaching 13.8%; DMAX’s daily market share was 3.7%, narrowly ahead of RTLzwei. Data source: AGF SCOPE / AGF Videoforschung (preliminary weighted TV data).

    • 'Achtung Abzocke' on Kabel Eins scored 8.5% among 14–49-year-olds (average 210,000 in demo); the earlier new episode reached 600,000 viewers overall.
    • A repeat of 'Achtung Abzocke' at 22:20 achieved 8.8% in the 14–49 demo with 460,000 viewers.
    • 'Achtung Kontrolle' on Kabel Eins recorded a new yearly-best 8.4% in the 14–49 demo, averaging 470,000 viewers.
UF

UFA

Recent Signals

  • ·DWDLStreaming Content

    Paramount+ relaunches 'Eating with my Ex' as VIP version

    Paramount+ announced a new German VIP season of the dating reality show "Eating with my Ex" featuring celebrity ex-couples. Three episodes will premiere weekly starting November 3, 2026, available in Germany, Austria, and Switzerland. The format previously ran two seasons on Discovery+ in 2022 and 2023. UFA Show & Factual produces the German adaptation. The show features celebrity participants like Tommy Haas and Alessandra Meyer-Wölden, among others.

    • Paramount+ announces 'Eating with my Ex VIP' with three episodes starting November 3, 2026.
    • The show airs weekly in Germany, Austria, and Switzerland.
    • Celebrity participants include Tommy Haas, Mario Basler, and Natascha Ochsenknecht.
  • ·DWDLStreaming & Content

    HBO Max announces new German original with Max Riemelt

    HBO Max has announced a new German original series titled "A Decent Man" (working title), starring Max Riemelt. The six-episode psychological thriller explores themes of toxic masculinity, guilt, and the destructive power of silence. The series is created by Dustin Loose and Florian Oeller, inspired by the Polish series "Porządny człowiek". Production is handled by UFA Fiction, with Nataly Kudiabor as producer. Cast includes Wanja Valentin Kube, Kristin Suckow, Nico Marischka, and Karin Hanczewski. Anke Greifeneder, GVP Local Original Production for HBO Max in Germany and France, emphasizes the series' deep exploration of generational male role models. A release date has not yet been announced.

    • HBO Max announces new German original series "A Decent Man" starring Max Riemelt.
    • The six-episode series is produced by UFA Fiction.
    • The series is created by Dustin Loose and Florian Oeller, inspired by the Polish series "Porządny człowiek".
  • ·DWDLPlatform

    Apple TV Germany Head Departs, London Takes Over

    Franziska An der Gassen, Head of Original Content for Apple TV in Germany, is leaving the company at the end of September 2026, after nearly five years. She joined Apple in early 2022 as a Creative Executive and built the local originals business from Munich, reporting to Jay Hunt. Under her leadership, Apple TV produced its first German series, including 'Where's Wanda?' (2024) and the award-winning 'Krank Berlin'. A direct successor will not be appointed; instead, responsibility for German originals will move to London, continuing a trend of streamers reducing top-level local personnel in Germany. This structural change may reduce local autonomy, and while Apple TV will continue producing in Germany, future investment in local creativity is uncertain.

    • Franziska An der Gassen leaves Apple TV at the end of September 2026.
    • She was Head of Original Content for Apple TV Germany, based in Munich, joining in early 2022.
    • Under her leadership, Apple launched its first German originals 'Where's Wanda?' and 'Krank Berlin'.

Compare their exact ecosystem overlaps.

Explore all deep relationships in Polaris7. Discover exactly which mutual clients, integrated technologies, and overlapping partners DMAX and UFA share across the market ecosystem.