Publisher & Media Owner · vs · Publisher & Media Owner

DFDM

DF1 vs DMAX

Structured technology and market comparison · 2026

Direct Feature Comparison

DF1 · vs · DMAX
Primary Market / Role
DF1Publisher & Media Owner
DMAXPublisher & Media Owner
Platform Focus
DF1

German ad-funded broadcaster operating DF1 television and streaming.

DMAX

German free-to-air factual TV channel with digital ad inventory.

Company Size
DF110–49 employees
DMAXUnknown
Headquarters
DF1DE
DMAXDE
Year Founded
DF12023
DMAXUnknown

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Comparison Analysis

What is the main difference between DF1 and DMAX?

When comparing DF1 and DMAX, both platforms operate within the Video Streaming Platform, Connected TV (CTV) & OTT, and Publisher & Media Owner ecosystem. DF1 is positioned as German ad-funded broadcaster operating DF1 television and streaming, whereas DMAX focuses on German free-to-air factual TV channel with digital ad inventory. Decision-makers evaluate both solutions when orchestrating their commercial monetization and technology stack.

What are the top alternatives to DF1 and DMAX?

When evaluating DF1 and DMAX, enterprise buyers also consider other platforms in Video Streaming Platform, Connected TV (CTV) & OTT, and Publisher & Media Owner. You can discover the full competitive landscape and evaluate other alternatives by viewing their respective footprint profiles on Polaris7.

Market Signals

Recent Market Signals & Activity: DF1 vs DMAX

Documented market movements, strategic partnerships, product releases, and regulatory developments mapped across Polaris7.

DF

DF1

Recent Signals

  • ·DWDLBroadcast Rights (Sports)

    Disney+ Secures Formula E Rights; Broadcasters React

    Disney+ has secured worldwide live rights to Formula E, including Germany, creating uncertainty about future free-TV broadcasts on DF1. DF1 says it is in constructive talks with Formula E. Other items: Penny DEL will remain on DF1 via sublicensing from Deutsche Telekom; ARD will feature a 13-year-old guest commentator on the Deutschland Tour; ARD and streaming service Dyn will release a six-episode handball docuseries 'Grip of Glory' from August 19; DFB.TV expanded live coverage to three Regionalligas. The sports update also covers broadcasting lineups for the Women's Basketball World Cup, RTL/Sky's Bundesliga plans, and audience figures for various sports programs.

    • Disney+ has secured worldwide live rights to the Formula E racing series, including Germany.
    • DF1 said it is in constructive talks with Formula E about future broadcasts; races were shown on DF1 this season.
    • Penny DEL will remain on DF1 next season, enabled by sublicensing from Deutsche Telekom.
  • ·MeediaCTV

    Formula E Moves to Disney+ in 2026/27

    Formula E has signed a multi-year partnership to stream its races on Disney+ starting with the 2026/27 season. The agreement covers full live coverage, highlights and pre- and post-race shows. The upcoming season begins 18 December in Jeddah, includes 21 races at 13 locations and finishes 25 July 2027 in Tokyo. The move expands Disney+'s live-sports offering in Germany and coincides with Formula E entering its GEN4 era, featuring cars rated at more than 815 hp (600 kW) with roughly 0–100 km/h in 1.8 seconds.

    • Formula E will be available on Disney+ beginning with the 2026/27 season.
    • The multi-year deal includes full live coverage, highlights, and pre- and post-race programming.
    • The 2026/27 season starts on 2026-12-18 in Jeddah, comprises 21 races at 13 locations, and concludes on 2027-07-25 in Tokyo.
  • ·DWDLConnected TV (CTV) & OTT

    Disney+ Secures Global Live Formula E Rights

    Formula E and The Walt Disney Company have signed a multi-year agreement under which Disney+ will stream the electric racing series in 144 markets, with races in the United States also available on ESPN+. The deal is described as complementary to existing free-to-air and linear TV partners; Formula E leaders said the partnership will expand the series' global digital presence and reach new viewers. Formula E and Disney are also exploring additional collaboration beyond live broadcasts to create new fan experiences. The announcement raises questions about the implications for current national free-TV partners in some markets.

    • The Walt Disney Company (via Disney+) signed a multi-year agreement to stream Formula E.
    • Disney+ will broadcast Formula E races in 144 markets worldwide.
    • In the United States, Formula E races will additionally be available on ESPN+.
DM

DMAX

Recent Signals

  • ·DWDLTV (linear)

    DMAX's 'Kings of Cash' Season 3 Goes to USA

    DMAX announced the third season of its docu-soap Kings of Cash – Die Pfandleiher. The new season comprises 20 episodes (five more than the first two seasons) and returns to weekday early-evening programming, airing Monday–Friday at 19:15 beginning 7 September. Production is again handled by BluePrint Media. Filming will revisit German locations (Karlsruhe, Bochum, Nürnberg, Berlin, Siegburg) and, for the first time, also include behind-the-scenes coverage at the US pawnshop Paramount Pawn in Florida, where Karlsruhe pawnbrokers Florian and Jabez participate in day-to-day operations.

    • DMAX announced the third season of the docu-soap 'Kings of Cash - Die Pfandleiher'.
    • The new season comprises 20 episodes, five more than the first two seasons.
    • The series returns on 7 September and will air Monday–Friday at 19:15.
  • ·DWDLTV (linear)

    Giesel stays strong; 'Achtung Kontrolle' hits yearly high

    Kabel Eins posted strong linear-TV ratings on 30 July 2026: Peter Giesel’s report format 'Achtung Abzocke' delivered 8.5% share among 14–49-year-olds (210,000 viewers in that demo) and a later repeat reached 8.8% (460,000 total viewers). The pre-evening magazine 'Achtung Kontrolle' set a new annual best with 8.4% in the 14–49 demo (470,000 overall). Afternoon US crime series on Kabel Eins underperformed, while ProSieben Maxx’s 'Storage Wars' achieved 4.1–5.1% in the demo. DMAX had a strong day driven by 'Fang des Lebens' (peaking at 7.2%), 'Steel Buddies' (up to 5.1%), and two primetime episodes of '112: Feuerwehr im Einsatz' (3.2% and 4.5%), with a late-night repeat reaching 13.8%; DMAX’s daily market share was 3.7%, narrowly ahead of RTLzwei. Data source: AGF SCOPE / AGF Videoforschung (preliminary weighted TV data).

    • 'Achtung Abzocke' on Kabel Eins scored 8.5% among 14–49-year-olds (average 210,000 in demo); the earlier new episode reached 600,000 viewers overall.
    • A repeat of 'Achtung Abzocke' at 22:20 achieved 8.8% in the 14–49 demo with 460,000 viewers.
    • 'Achtung Kontrolle' on Kabel Eins recorded a new yearly-best 8.4% in the 14–49 demo, averaging 470,000 viewers.
  • ·DWDLTV (linear)

    DMAX's '110 Hannover' Sets Season-Finale Ratings Record

    At the season finale of '110 Hannover – Im Visier der Polizei', DMAX recorded a new season-best rating among 14–49 year-olds: a 5.0% market share at 20:15, surpassing the previous week's best by 1.2 percentage points. The episode reached 0.31 million viewers (equal to the prior week). Other DMAX emergency-format shows also performed well in the evening, while Nitro screened the 'Police Academy' films and achieved strong shares and reach (including 460,000 viewers for the first film). The article cites AGF SCOPE / AGF Videoforschung as the data source and reports broader daily and top-program ratings for German broadcasters for TV viewing on 21 July 2026.

    • DMAX's '110 Hannover' achieved a 5.0% market share among 14–49 year-olds at 20:15 on the season finale, beating the prior week's season-best by 1.2 percentage points.
    • The '110 Hannover' episode had 0.31 million viewers, the same reach as the previous week.
    • DMAX's 'Die Grenzschützer' and 'Bundespolizei 24/7 - Auftrag Sicherheit' each reached 0.29 million viewers, with 14–49 market shares of 4.8% and 6.0% respectively.

Compare their exact ecosystem overlaps.

Explore all deep relationships in Polaris7. Discover exactly which mutual clients, integrated technologies, and overlapping partners DF1 and DMAX share across the market ecosystem.